AI Influencer StudioCreate a persona and keep the face
AI Interior DesignRestyle any room from a photo 
Outfit Try-OnSee any outfit on anyone
Product Photo StudioStudio packshots from a phone photo
Logo CreatorBrand marks in a few clicks
Book Cover & MagazineCover art ready to publish
Marketing AdsScroll-stopping ads in one clickYou describe the shot — or hand over a still you already like — and Flux 3 gives you back a clip with controlled camera movement, steady subjects and sound, in minutes rather than a shoot day. Run several versions of the same idea, keep the one that cuts, and download an MP4 ready for an ad set, a product page or a social feed.
The workflow is short on purpose. Most of your time should go into choosing between takes, not setting them up.
Type the shot you want — subject, camera move, lighting — or upload a frame you already made in the [AI image generator](/ai-image-generator) and animate it instead of describing it from scratch.
Fast models are for testing an idea cheaply; the higher-fidelity ones are for the take you publish. The full lineup is laid out on the [video models](/features/state-of-the-art-ai-video-models) page.
Generate two or three versions of the same prompt, pick the one with the cleanest motion, and download the MP4 at the aspect ratio your placement needs.
Anyone can make three seconds of pretty motion. These are the parts that decide whether the clip survives a client review.
Ask for a slow push-in, a 180-degree orbit or a locked-off tripod shot and the model follows the instruction instead of drifting at random.
Animate from a fixed starting frame so a face, a label or a garment holds its shape across the clip — the same discipline behind the [product photo studio](/product-photo-studio) shots.
Add voiceover, ambience or a music bed with the [AI audio generator](/ai-audio-generator) so you are not exporting silent footage into a separate editor.
Explore the full FLUX AI creative suite. Generate and edit images, videos, headshots, and more with our all-in-one platform.
